In chronological order
- human chain phone wire soundscape in cannon
- article maria "atmosphere changes in a heart beat" foley immitate heart beat
- chorus lean in to listen to conversation slowly bunching together
- chorus forms window in bodies
- freeze heart beat
- when cast moves chorus is still
- lapin and conrad lifted by chorus as they become enraged "a reverse, a reverse"
- swears chorus recoils
- when generalisimo paining is ripped down david shillinglaw sketch is shown
- metronome on foley
- andreas "fuck" chorus repeat
- chorus rain down badges
- maria stood observing through scene
- " you must be quiet" chorus picking on her covering mouth toughing arms ext
- shoe boxes form set with desk, inside there are shoes
- pulling house down shoes everywhere
- everyone manic panic looking for stuff aided by chorus
- maria is observing chorus walk through with items
- "gargoils" chorus embody
- inside shoe boxes are papers and guts to show hidden parts
- "and you collect your posessions" article maria telling maria what to do puppiteering
- chorus covers both marias with papers
- transport her onto block writing article
- madame steps from chorus through papers, chorus dress her
- chorus freeze looking at madame
- sieze her to behind papers
- maria stands on block
foley table
- Corn Starch in a leather pouch makes the sound of snow crunch
- A pair of gloves sounds like bird wing flaps
- An arrow or thin stick makes a great whoosh!
- An old chair makes a controllable creaking sound
- A water soaked rusty hinge when placed against different surfaces makes a great creaking sound. Notice how various surfaces act as a sounding board to amplify and change the sound: this is an important principal of Foley and sound creation!
- A heavy staple gun and a other metal parts make can make a good gun sound
- A metal rake makes a great fence sound (and when scraped across metal makes a great metal screech - if you can stand it!)
- You will need a car door and a fender which you can pickup at a wrecking yard - they are good for car and other heavy metal sounds. If you can fit a whole car in the studio, even better!
- Burning black plastic Glad garbage bags (cut open a bag and strip it into thin pieces) will make a cool sound as the bag melts and drips to the ground
THIS IS VERY DANGEROUS!!!
- 1/4" audio tape when balled up sounds like grass (we walk on it!) or flowers
- A wet balloon makes a weird sound when rubbed: this is funny more than practical!
- 'Flubber' (they sell it in toy stores) is great for wet swuishy sounds; so is gelatin and liquid hand soap.
- Frozen romaine lettuce (I used this in the 'War Of The Worlds' television series for alien head squishes!) makes a great bone or head squishy noise
- Coconuts shells cut in half and stuffed with padding makes great sounding horse feet (I swear I still use this trick): it takes some skill to make good sounding ones (not too hollow or thin) but it works!
- Cellophane can make the sound of crackling fire (the effects editor should do the fire but in a pinch it does work)
- You will need a wooden door - apart from door knocks and other movement sounds, they make great wooden boat noises when laid across a heavy wooden stool (the stool gives the door a resonance and helps with the creaking
- A heavy rolled and taped up telephone book makes a good 'body punching' surface
microphone should be three feet away from foley artist and faced away from the face to stop the sound of breathing.
foley artist Greg Barbanell who works on the walking dead said "A lot of it has to do with physics — especially sonics and resonance. Being able to get the right resonance out of something and being able to manipulate it — it’s too woody, it’s too “metal-y” — you can change that. You can know how to do that by having a good sense of the world, but it’s also about learning the physics.”
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